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Support
2/26/13 - USB MIDI DriverPC:Driver:USA_DrvTools_e(1.14_r6).zip MAC:Driver:USA_KORG USB-MIDI Driver 1.2.0 (r4).dmg USB MIDI Driver This is the latest USB MIDI driver, which is compatible with Windows 8, 7, Vista & XP, in both 32 and 64 bit configurations. This Mac driver is compatible with Intel/Mac. We always recommend that you use the latest driver. PC Requirements
Windows XP Home/Professional SP3
Windows Vista SP2 (including 64-bit)
Windows 7 SP1 (including 64-bit)
Windows 8 (including 64-bit)
OS Requirements (Intel)
Mac OS X 10.5.8 or later, Intel-Mac (32-bit or 64-bit) only
2/26/13 - KingKORG Parameter Guide (English)ALL:USA_KingKORG_PG_E1.pdf This is the English Parameter Guide for KingKORG in PDF format. 2/26/13 - KingKORG Parameter Guide (French)ALL:USA_KingKORG_PG_F1.pdf This is the French Parameter Guide for KingKORG in PDF format. 2/26/13 - KingKORG Parameter Guide (German)ALL:USA_KingKORG_PG_G1.pdf This is the German Parameter Guide for KingKORG in PDF format. 2/26/13 - KingKORG Parameter Guide (Spanish)ALL:USA_KingKORG_PG_S1.pdf This is the Spanish Parameter Guide for KingKORG in PDF format.
KingKORG
Synthesizer
Ready for live performance.
KingKORG is the full-fledged analog modeling synthesizer you've been waiting for. It carries on the design philosophy of classic Korg analog synthesizers such as the MS-20 and the Mono/Poly, which gave rise to the Prophecy, the Z1, the MS2000, and the RADIAS. This exciting new instrument delivers the unique characteristics of a dedicated synthesizer, especially the fun of transforming the sound by tweaking an impressive array of knobs. While technologically impressive, KingKORG is approachable even to players who are new to synthesizers. And it particularly shines on stage, not only with its great sound, but also literally with a gorgeous champagne gold finish, befitting its royal name – KingKORG.
Product Highlights:
- A full-fledged, 61-key analog modeling synthesizer designed for live performance
- Powerful oscillators that are understandable to the beginner, yet satisfying for the expert
- Modeling filters that reproduce the sound of classic instruments
- Three master effect sections (each with six effect types) add the finishing touch to your sound
- Vacuum tube driver circuit adds rich overtones and powerful distortion
- New panel layout designed for intuitive operation
- CV/GATE OUT jack lets you control a Korg monotribe or MS-20
- Support for librarian software that lets you manage programs
Powerful oscillators that are both understandable to the beginner and satisfying for the expert
KingKORG features a 3-oscillator x 2-timbre design that allows you to generate thick and rich sounds, plus a newly developed XMT modeling sound engine. XMT (Xpanded Modeling Technology) is proprietary Korg technology that was created in order to produce a broad range of sonic variations while keeping operation simple. In a conventional synthesizer, the sound-creating process requires you to adjust the oscillator settings one by one, making it difficult to see the overall picture. In contrast, KingKORG provides pre-set algorithms that contain combinations of various types and numbers of oscillators, letting you easily and quickly sculpt stage-ready sounds. The wide range of oscillator algorithms includes the choices you’d expect from an analog synthesizer–sawtooth wave, square wave, and noise–in addition to numerous PCM/DWGS algorithms, giving you plenty of scope choices for creating highly personal sounds.
Modeling filters that reproduce the sound of classic instruments
While designing KingKORG, extreme attention was paid to the filter section, which is crucial to a synthesizer's character. A diverse variety of filters is a unique advantage of analog modeling, and KingKORG’s filters add unparalleled flexibility. In addition to a variety of essential analog modeling filter types, you get faithful models of filters that reproduce the analog monophonic synths used for lead and bass in the '70s, the polyphonic synths used in new wave music of the '80s, and the filters of Korg's classic MS-20 analog synth. These filters can also be made to self-oscillate by raising the resonance setting– a unique capability of analog synthesizers.
Three master effects, each with six effect types, add the finishing touch to your sound
KingKORG provides three master effect sections, each giving you a choice of six effect types: PRE FX, with types such as distortion and amp simulator; MOD FX, with classic effects like phaser, chorus, and tremolo; and REV/DELAY, with ambience effects such as hall reverb and modulation delay. Each effect processor has a dedicated front panel dial that selects the effect type. To choose the ideal effect type, simply turn the dial to hear the result, and use the FX control knobs located below these dials to adjust the effect as desired.
Vacuum tube driver circuit adds rich overtones and powerful distortion
KingKORG provides a full-analog vacuum tube driver circuit as a mastering effect. You can use it to add warm fullness, a powerful overdrive, or anything in between.
Vocoder function
The built-in vocoder uses audio from the onboard mic input to modify the sound, creating an effect as though the synthesizer were talking. The vocoder features Formant Shift to dramatically modify the tonal character, as well as Formant Hold, which allows you to “freeze” a vowel sound and play it back using the keys. Thanks to the KingKORG’s dual-timbre architecture, you can even combine the vocoder with another timbre, either as a complementing sound or a modulation source.
Virtual patch function
On many classic synthesizers (such as the MS-20), the signal flow could be reconfigured using patch cables to physically connect one element to another. KingKORG reproduces this function with an intuitive Virtual Patch system. With six Virtual Patch assignments per timbre, control signals such as EG, LFO, or joystick movement can be virtually connected to sound parameters such as pitch or cutoff, allowing you to modulate a parameter for even greater sound-shaping possibilities.
Step arpeggiator function
The step arpeggiator automatically generates an arpeggiated phrase (broken chord) according to the chord you hold on the keyboard. You can choose from six arpeggio types, and specify the duration, interval, and on/off status of each step to enjoy a wide variety of performance possibilities.
Newly designed panel layout allows intuitive operation
The newly designed panel is organized into blocks that let you focus on the controls you need while editing. While reflecting the concept of an analog synthesizer's signal flow, KingKORG's front panel takes full advantage of today's technology. For example, the oscillator section has its own dedicated display that shows the name of the currently selected algorithm. You can turn the dial located beside this display to see descriptive names, and push the dial to jump to the beginning of categories such as ANALOG or DWGS. The control knobs are assigned to the most effective and important parameters for each oscillator, letting you enjoy the unique feature of an analog synthesizer --- turning the knobs to transform the sound. There are also dedicated dials for each of the three master effects, making it easy to try out different effects and hear how they modify the sound. Since a self-luminous organic EL display is used, visibility is excellent even on a dimly lit stage.
61 dynamic, full-size keys, plus Korg’s X/Y Joystick
KingKORG features a generous five octaves of velocity-sensitive keys, whose response can even be adjusted (Normal, Shallow, or Deep) to mimic that of classic instruments. Below the dedicated octave shift buttons, you’ll find a backlit X/Y joystick, ready to control your most important live performance tweaks. Play through some of the preset sounds, and you’ll notice that the joystick is already set up for useful and inspiring modulation.
Favorites function for convenience in live performance
The Favorites function lets you recall frequently-used programs at a single touch. You can assign a total of 40 programs to the eight category favorite buttons for easy recall.
200 built-in preset programs
KingKORG provides a diverse selection of 200 stage-ready preset programs organized into eight categories such as Synth, Lead, and Bass. There's a great selection of the staple sounds you need for live performance, including numerous PCM sounds for piano, electric piano, organ, and clavinet. Thanks to KingKORG’s ability to emulate filters from classic synthesizers, you’ll find familiar and authentic sounds that are perfect for playing your favorite classic and modern songs, along with new and inspiring sounds to broaden your horizons. There's also a user area for you to store 100 of your own sounds.
CV/GATE OUT jack lets you control the monotribe or MS-20
The CV/GATE OUT jack lets you use an analog signal to control a KORG monotribe or MS-20. A dedicated cable for the monotribe is included, allowing you to use the keyboard of KingKORG to play the monotribe.
Support for librarian software that lets you manage programs
You can manage programs on your computer simply by connecting KingKORG to your computer via a USB cable and using the librarian software. The librarian software can be downloaded at no charge from the Korg website or from the website of your local Korg distributor.
Specifications
System
XMT (eXpanded Modeling Technology)
Program
Number of programs:
Number of categories:
Number of timbres:
Up to 2 Timbres (Layered or Split)
Maximum voice polyphony:
Oscillator
Structure:
3 Oscillators (Analog, Noise, DWGS, PCM, MIC IN)
Number of Types:
127 types (Analog & Noise: 32 + DWGS: 64 + PCM: 30 + MIC IN)
Filter
Structure:
1 filter per timbre (LPF, HPF, BPF)
Number of Filter Types:
18 types (LPF: 7 + HPF: 5 + BPF: 6), including modeling filters
Modulation:
EG: 2 units, LPF: 2 units, AMP
Virtual Patch:
6 Virtual Patches per timbre
Effect
Sections:
Program effects x 3 (PRE FX, MOD FX, REV/DELAY) + EQ (2 Band) + TUBE (Stereo)
Types:
PRE FX: 6 types (DISTORTION, DECIMATOR, RING MOD, GT AMP, EP AMP, TONE)
MOD FX: 6 types (FLANGER, CHORUS, U-VIBE, TREMOLO, PHASER, ROTARY)
REV/DELAY: 6 types (HALL, ROOM, PLATE, TAPE ECHO, MOD DELAY, BPM DELAY)
Vocoder
16-Band Vocoder with Formant Shift and Formant Hold
Arpeggiator
Up to 8 steps (The number of steps can be changed)
6 types (UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Audio
Input:
Mic In
Connection: XLR-3-31 Type (Balanced)
Input Impedance: 6.8 kO
Maximum level: -12 dBu
Output:
Audio Output
Connections: 6.3 mm, TS phone jack (Unbalanced) “L/MONO, R”
Load Impedance: More than 10 kO
Maximum level: -12 dBu
Headphone
Connection: 3.5 mm, Stereo min phone jack
Maximum level: 60 mW + 60 mW @33O
Display
Main Display:
16 characters x 2 lines / OLED (Organic Light-Emitting Diode)
Sub Displays for Oscillator and Filter Sections:
128 x 64 dots / OLED (Organic Light-Emitting Diode)
Keyboard
61 notes (Semi-Weighted Keyboard)
*Velocity-sensitive
*Adjustable Key Response (NORMAL, SHALLOW, DEEP)
Control
Controller:
Joystick, Octave Up/Down button, Category/Favorite button
Control input:
DAMPER pedal (Supports Half Dampering)
SWITCH/PEDAL
Control Output:
Terminals
MIDI In, MIDI Out, USB Type B
Power
Dimensions (W x D x H)
40.43 x 12.32 x 3.78 inches / 1,027 × 313 × 96 mm
Weight
Power Consumption
Temperature Requirements
0 – 40°C (avoid condensation)
Included Accessories
AC Adapter
Owner’s Manual
Cable for CV/GATE (For KORG monotribe only)
Optional Accessories
XVP-10 Expression/Volume pedal
EXP-2 Foot Controller
DS-1H Damper Pedal
PS-1 or PS-3 Pedal Switch
* Specifications and appearance are subject to change without notice for improvement.
News
WINTER NAMM, ANAHEIM, CALIFORNIA, January
24th, 2013 - Korg USA announces the King Korg analog modeling synth.
Focused on live performance, it features Korg's new XMT (Xpanded Modeling
Technology) engine, with many types of oscillators and filters that can
accurately model sought-after vintage analog synths. With its controls laid out
in easily identifiable sections, King Korg delivers the unique characteristics
of a dedicated synthesizer, while remaining approachable to players who are new
to synthesizers. It not only shines on stage with high quality sound, but also
with a champagne gold finish befitting its royal name.
A 3-oscillator,
2-timbre design allows players to generate thick and rich sounds. In addition to
essential waveform choices such as sawtooth, square, sine, triangle, and noise,
King Korg provides pre-set algorithms that contain various combinations of
oscillator numbers and types, for easily and quickly sculpting stage-ready
sounds. The oscillator algorithms also include numerous PCM/DWGS algorithms for
creating highly personal sounds.
The filter section is crucial to a
synthesizer's character, and King Korg's filters add unparalleled flexibility.
In addition to a variety of essential analog modeling filter types, there are
faithful filter models from analog monophonic synths that were used for lead and
bass sounds in the '70s, as well as the polyphonic synths used in new wave music
of the '80s, plus the filters of Korg's classic MS-20 analog synth. These
filters can also be made to self-oscillate by raising the resonance setting– a
unique capability of analog synthesizers.
A selection of 200 stage-ready
preset programs includes many familiar and authentic sounds for playing classic
and modern songs, plus fresh, inspiring sounds for new musical creations. An
assortment of live performance staple sounds includes PCM–based piano, electric
piano, organ, and clavinet. Users can store their own creations in 100 onboard
user sound locations.
Each of three master effect sections offers a
choice of six effect types: PRE FX such as distortion and amp simulator; MOD FX,
including phaser, chorus, and tremolo; and REV/DELAY such as hall reverb and
modulation delay. A full-analog vacuum tube driver circuit is also included as a
mastering effect. It can be used to add warm fullness, a powerful overdrive, or
anything in between. In addition, a built-in, full-featured vocoder uses audio
from the onboard mic input to create a talking effect.
Many classic
synthesizers used patch cables to physically reconfigure the signal flow. King
Korg's intuitive Virtual Patch system reproduces this function. With six Virtual
Patch assignments per timbre, control signals such as EG, LFO, or joystick
movement can be virtually connected to sound parameters such as pitch or cutoff,
allowing users to modulate a parameter for even greater sound-shaping
possibilities.
King Korg's design makes it easy to create and modify
sounds. The oscillator section has its own dedicated display, and the control
knobs are assigned to the most important parameters for each oscillator. There
are also dedicated dials for each of the three master effects, making it easy to
audition different effects to hear how they modify the sound. Self-luminous
organic EL displays are used for excellent visibility, even on a dimly lit
stage.
King Korg features five octaves of velocity-sensitive keys, with
adjustable response (Normal, Shallow, or Deep) to mimic that of classic
instruments. Below the dedicated octave shift buttons, a backlit X/Y joystick is
ready to control important live performance tweaks.
A CV/GATE OUT jack
enables players to use an analog signal to control a KORG monotribe or MS-20. A
dedicated cable is included to use the keyboard of King Korg to play the
monotribe.
The King Korg will be available February 2013 for a U.S.
Street price of $1299. Additional product information and sound demos are
available at korg.com
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